Progressive studies for Flamenco Guitar. Soleá (Book/DVD)

  • Mehdi Mohagheghi
  • ArtikelNr.: EPSOL
  • Unser Preis: 43.00 CHF
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Beschreibung

Progressive studies for Flamenco Guitar. Soleá (Book/DVD)

Soleá studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) are gradually studied, reaching the right level to play falsetas of famous flamenco guitarists.
Once you dominate all the studies, you will be able to play your own pieces mixing different falsetas studied in this DVD.

Spanish and English

DVD Contents

        Basic "LLamadas"
        Study 1: The first 6 beats
        Study 2: Beats 6-12
        Study 3: Beats 1-12 ( one complete "compás")
        Study 4: A complete "compás" using triplet rasgueos
        Study 5: A complete "compás" using 4-stroke rasgueos
        Study 6: A complete "compás" using 5-stroke rasgueos
        Study 7: A complete "compás" using Arpegios
        Remates
        Study 8: Beats 10-12 ( called Remate) is the ending phrase of each ?compás? of solea
        Study 9: Another variation of Remate
        Study 10: Another variation of Remate using Ligados
        Study 11: Another variation of Remate using Ligados
        Study 12: Another variation of Remate using Ligados
        Study 13: Another variation of Remate
        Advanced "Llamadas"
        Study 14: A complete "compás" using a remate for beats 10-12
        Study 15: Another complete "compás" using a remate for beats 10-12
        Study 16: A complete "compás" using Arpegios and Ligados
        Study 17: Another example
        Study 18: Another example with a new remate
        Study 19: Another example
        Study 20: Another example
        Study 21: Another example with a more complicated pattern for beats 7-9
        Study 22: Another example
        Study 23: Another example
        Study 24: An example with two complete ?compás?
        Study 25: A complete "compás" using Picado
        Study 26: Another example using p/i
        Study 27: An example using Rasgueos, with some syncopation
        Study 28: A complete "compás" using Alzapua
        Study 29: Another example using more complicated Alzapua

        Falsetas
        Falseta 1: This falseta can be used as an introduction, Paco Serrano
        Falseta 2: A traditional flaseta, also useful for improving the left hand technique
        Falseta 3: A modern falseta useful for practicing Arpegios, Vicente Amigo
        Falseta 4: A traditional falseta using Arpegio/ Picado
        Falseta 5: A traditional falseta
        Falseta 6: A falseta which can be used as an Introduction, Paco Peńa
        Falseta 7: A tremolo falseta, Paco Peńa
        Falseta 8: A modern Falseta, Tomatito
        Falseta 9: A modern Falseta, Paco de Lucia
        Falseta 10: A modern falseta, Mehdi Mohagheghi
        Flaseta 11: An arpegio falseta, Moraito
        Falseta 12: A modern falseta, Mehdi Mohagheghi
        Falseta 13: This falseta can be used to end Solea, Tomatito
        Falseta 14: Ending, Mehdi Mohagheghi

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